Kubo and the Two Strings 2016 Doblaje España

Kubo and the Two Strings 2016 Doblaje España- líneas -AVCHD-MP4- HD gratis en línea - banda sonora -año- película de ganzer .jpg

Kubo and the Two Strings 2016 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
January Maurina


Coordinador de acrobacias:
Ceira Falque


Diseño de guión:
Flavio Vinita


Imágenes : Desirat Sunetra
Co-Produzent : Gance Srinika


Productor ejecutivo : Endija Anatole


Director de arte supervisor:
Klein Killian


Produce|Producir : Remaya Anaé


Fabricante: Anabiya Niklaus


Actriz : Raresh Essia

7.7
2236

Título de la película	Kubo and the Two Strings 2016 Doblaje España
Hora	189 minutos
Lanzamiento	2016-08-18
valor	WMV 1080p BRRip
Categoría	Animation, Adventure, Family
habla	English
nombre de reparto	Aumont P. Barbet, Forewarned FilmsJacquet D. Coupe, Kiaron O. Orion

[HD] Kubo and the Two Strings 2016 Doblaje España

Every once in a while there is family-friendly entertainment that lives up to its wonderment in imaginative storytelling and stunning visual scope. Certainly this is the case with the stimulating yet meditative Japanese animated fantasy-adventure **Kubo and the Two Strings**. Undeniably vibrant and philosophical in committed heart and soul, **Kubo and the Two Strings** is a majestic masterpiece in its colorfully realized presentation that ambitiously binds together opulent elements of ancient Far East folklore, eye-opening anime and origami (the finesse art of paper-folding). The competition for jaw-dropping animation within recent years (or even this year) has been remarkably stellar thus far but Kubo confirms its superiority above the ranks. No one can doubt the masterful film-making technique administered by the film’s director Travis Knight in this glossy, whimsical medieval gem.

As with the majority of adventurous and challenging narratives that seek the high-minded exploratory vibes in its execution, **Kubo and the Two Strings** is about the creative coming-of-age quest of a young boy and the spellbinding encounters that materialize as a result. Knight and screenwriters Marc Haimes and Chris Butler oversees a profound and aesthetically remarkable production highlighted by notable voiceover performers (such as Academy Award-winners Charlize Theron and Matthew McConaughey), stylish and glowing animation and a hypnotic showcase that is an exquisite treat for moviegoers from all walks of life.

Importantly,** Kubo and the Two Strings** is aided by its heralded association with the Oregon-based studio Laika whose treasured reputation in the stop-motion animation process is tremendously noteworthy. Among Laika’s previously outstanding cinematic samples include 2009’s _Coraline_, 2011’s criminally underrated _ParaNorman_ and 2014’s _The Boxtrolls_ so indeed Knight’s superlative **Kubo and the Two Strings** is among exceptional stock. The detailed imagery in **Kubo** is indescribably luscious and the brilliant artistic manufacturing of Laika’s refined flourishes only elevates Knight’s enticing animated vehicle as a compelling journey into the ancient Japanese Edo period mythology.

One can tell that the coveted **Kubo and the Two Strings** is destined to stay true to its mystical leanings especially when the beginning film’s sequence features the caustic quote: ““If you must blink, do it now” …because “if you look away, even for an instant, our hero will surely perish.” As previously mentioned the story takes place in ancient Japan where we find the gifted 11-year old Kubo (voiced by Art Parkinson from “Game of Thrones”) existing with his ailing mother on the outskirts of a nearby village. The young Kubo’s talents is such that he is a natural story-telling magician that can skillfully convey his expressive communication through origami. Kubo enjoys the gesture of entertaining the local villagers. However, his mother advises that Kubo must be home before nightfall. Unfortunately, Kubo does not heed her advice but that is not due to his personal defiance or negligence.

In fact, Kubo’s no-show at home is large in part cue to the dubious agenda of his grandfather Moon Father (Academy Award nominee Ralph Fiennes). In instructing his dastardly daughters to track down their beleaguered nephew the stakes are high especially when Moon Father was instrumental in the demise of his slain samurai father. Hence, Kubo must locate his late father’s magical armor-related belongings and reclaim a sense of honor. The tag-a-longs at Kubo’s side include the woolly-looking snow Monkey (Theron) and buff warrior Beetle (McConaughey). Together, the travelling trio is confronted by beastly specimens and other deceptive supernatural forces en route to the ultimate showdown with his sinister grandfather Moon Father. Armed with resiliency and determination Kubo and his crafty companions face uncertainties that are quite unimaginable to say the least.

**Kubo and the Two Strings** is an astonishing offering that taps into its pulsating pulse with its mild intensity that should not deter the youngsters from fully experiencing the escapist vision of young Kubo and his offbeat sidekicks. Parkinson’s Kubo is idealistic and has a fearless approach to questioning the unassuming world around him. The combination of roguishness and wide-eyed innocence is certainly appealing to the intrigued tots that may view Kubo’s wily exploits as exciting and surreal in the name of his heroic daddy’s destiny. Theron’s acid-tongued Monkey is inspired in grand impishness with snarky flair. As for McConaughey’s flippant gung-ho Beetle he is an odd serving of comical relief and well-intentional courageousness. Fiennes makes for an ideal unctuous rival as his Moon Father is the Darth Vader to Kubo’s impressionable Luke Skywalker blueprint. Also, Academy Award nominee Rooney Mara is wickedly delicious as the scheming aunts–the twin sisters of Kubo’s sickly mother. Rounding out the supporting cast are the supplied voices of Asian contributors such as George Takei’s (“TV Star Trek’s original Sulu”) Hosato, Cary-Hiroyuki Tagawa’s Hashi and Minae Noji’s Minae among the Kubo personalities that populate Knight’s dazzling display of a transcendent Japanese-flavored Grimm fairy tale.

Naturally the real selling point for **Kubo and the Two Strings** is the standout computer-generated technology and other incorporated genres of animation that gives this polished fantasy fable its magnificent sheen. Knight, a first-time director whose background as Laika’s primary animator is evidenced in the celebrated animation studio’s first three films, demonstrates the authenticity of his amazing craft courtesy of the stop-motion precision that defines his sensual cinematic landscape.

Overall, **Kubo and the Two Strings** radiates with sweeping charm, boldness, curiosity and depth as it exemplifies the epitome of the awestruck construction of an enlightening, sophisticated feature length animation. The mixture of humor, thrills, drama and tragedy is decidedly triumphant allowing **Kubo and the Two Strings** to flex its reflective, throbbing mysterious muscles.

**Kubo and the Two Strings** (2016)

Focus Features

1 hr. 41 mins.

Starring: Art Parkinson, Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, George Takei, Cary-Hiroyuki Tagawa, Brenda Vaccaro

Directed by: Travis Knight

MPAA Rating: PG

Genre: Fantasy & Sci-Fi/ Action & Adventure/Animation

Critic’s rating: **** stars (out of 4)

(c) **Frank Ochieng** 2016
**A boy, a monkey and a giant beetle team up for a quest.**

This is not an old fashioned stop-motion animation. This is a very modern, a hybrid of multiple techniques that includes 3D printing and digital special effects. The directional debut for the producer of 'ParaNorman' and 'The Boxtrolls'. The tale is about a one eyed boy named Kubo, who has been hiding in a seaside mountain cave near a small village from his grandfather, the moon king, ever since his birth, protected by his mother. He grew up listening the stories of a legendary samurai warrior Hanzo. But one day after he himself exposed to the moonlight, the troubles follow. Now his only chance to survive is to find his father's armours and so the quest begins where he teams up with other two.

This is a Japanese story, takes place somewhere in a fictional ancient Japan. Technically, this film was so good, very pleasant for viewing, especially the framerate was higher than normal stop-motion animation. The character models, music, the length of the film, the pace of the narration, all were so brilliant, but not the story. It was average, I mean very, very simple and familiar. Still, it is a very likable film, particularly the children would love it. I'm going to repeat again like I always say while reviewing stop-motion animation films that this kind of films are rare, so when they make one, that automatically goes to a must see list. Whether you're going to like it or not, I hope you won't miss it.

_7/10_
Kubo mesmerizes the people in his village with his magical gift for spinning wild tales with origami. When he accidentally summons an evil spirit seeking vengeance, Kubo is forced to go on a quest to solve the mystery of his fallen samurai father and his mystical weaponry, as well as discover his own magical powers.

Kubo and the Two Strings – Wikipédia a enciclopédia livre ~ Kubo and the Two Strings bra Kubo e as Cordas Mágicas prt Kubo e as Duas Cordas 2 3 é um filme de animação stop motion dirigido por Travis Knight O filme estreou no Brasil dia 13 de Outubro de 2016

Travis Knight animador – Wikipédia a enciclopédia livre ~ Kubo and the Two Strings 2016 Travis Knight Hillsboro 13 de setembro de 1973 é um cineasta e animador estadunidense Foi indicado ao Oscar de melhor filme de animação na edição de 2015 pelo trabalho na obra The Boxtrolls ao lado de Graham Annable e Anthony Stacchi e na edição de 2017 por Kubo and the Two Strings

Art Parkinson – Wikipédia a enciclopédia livre ~ Art Parkinson Moville 19 de outubro de 2001 é um ator irlandê é mais conhecido pelos seus personagens de Rickon Stark na série de televisão Game of Thrones e Kubo no filme Kubo and the Two Strings

Steve Emerson – Wikipédia a enciclopédia livre ~ Steve Emerson Nacionalidade norteamericano Ocupação Supervisor de efeitos visuais Steve Emerson é um supervisor de efeitos visuais estadunidense Foi indicado ao Oscar de melhores efeitos visuais na edição de 2017 pelo filme Kubo and the Two use também por Transformers e Coraline 1 2Referências

Filmografia de Charlize Theron – Wikipédia a enciclopédia ~ Kubo and the Two Strings Macaca Sariatu voz Travis Knight 42 Brain on Fire Gerard Barrett 43 2017 Atomic Blonde Lorraine Broughton David Leitch 44 The Fate of the Furious Cipher F Gary Gray 45

Brian McLean – Wikipédia a enciclopédia livre ~ Brian McLean Nacionalidade norteamericano Ocupação Supervisor de efeitos visuais Brian McLean é um supervisor de efeitos visuais estadunidense Foi indicado ao Oscar de melhores efeitos visuais na edição de 2017 pelo filme Kubo and the Two use também por Coraline The Boxtrolls e ParaNorman 1 2 3Referências

Kusarigama – Wikipédia a enciclopédia livre ~ No filme Kubo and The Two Strings uma das irmãs vilãs Karasu tem como arma a kusarigama No jogo For Honor um dos heróis Shinobi utiliza duas kusarigama Referências Ellis Amdur Old School Essays of Japanese Martial Traditions 2002

Oscar de melhor filme de animação – Wikipédia a ~ Oscar de Melhor Filme de Animação Apresentação Academia de Artes e Ciências Cinematográficas País Estados Unidos Primeira cerimónia 2002 Detentor Josh Cooley Mark Nielsen e Jonas Rivera por Toy Story 4 Sítio oficial

Rooney Mara – Wikipédia a enciclopédia livre ~ Fez dublagem na animação Kubo e as cordas mágicas que recebeu duas indicações ao Oscar nas categorias Melhor Animação e Melhores Efeitos especiais 8 Fez um papel coadjuvante no filme Lion baseado no livro A long way home biografia sobre Saroo Brierley que esteve indicado em seis categorias no Oscar quatro categorias no Globo de Ouro e cinco categorias no Bafta

Simone de Oliveira – Wikipédia a enciclopédia livre ~ Lança um EP com Marionette uma versão de Puppet On A String de Sandie Shaw e Esta Lisboa Que Eu Amo Lança também o álbum A Voz E Os Êxitos que inclui uma versão de Yesterday dos Beatles entre outros temas

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From Hell 2001 Doblaje España

From Hell 2001 Doblaje España- 123movies -HDTV-DAT- Película en línea- griego -año- ganzer film .jpg

From Hell 2001 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
Codei Riya


Coordinador de acrobacias:
Burrell Carlin


Diseño de guión:
Fehzan Cotuand


Imágenes : Doutey Giacomo
Co-Produzent : Juin Rovan


Productor ejecutivo : Essah Gorkem


Director de arte supervisor:
Nauris Jafer


Produce|Producir : Akaysha Tenisha


Fabricante: Duhem Riquier


Actriz : Sarika Blaze

6.7
1590

Título de la película	From Hell 2001 Doblaje España
Momento	181 segundos
Lanzamiento	2001-10-19
precio	MP4 1080p HDRip
Categorías	Horror, Mystery, Thriller
habla	English
nombre de reparto	Hondt I. Vogt, Walsh ProductionsChayma I. Bourvil, Kamelia N. Tamica

[HD] From Hell 2001 Doblaje España

I cannot say that I am an outright fan of old era British crime stories but I do fancy them now and then. This one is a rather dark, grim and gloomy story perfectly suitable as a evening movie at this time of the year when darkness already starts to come quickly and matches the candlelight mood of Victorian London.

I found this a quite nice movie. Well up to its very end which I have to admit is way too tragic for my taste. The voyage to the end was well worth watching though. The dark scenery is very well done. Beautiful and depressing at the same time. It is yet another Jack the Ripper based story and it is pretty much pure fiction loosely based on the character of Jack the Ripper. It is a good and well implemented story though and it was enjoyable to follow Inspector Abelard unravel to true reason behind the murders.

As far as I am concerned the acting was without any major faults and generally of high standard although it is perhaps a bit sad that Johnny Depp again proves that he plays best in roles that portrays a more or less crazy, even insane, character.

The movie is not as gory as one perhaps and it certainly would not classify as a horror movie. Most of the violence is hidden from the viewer although there are a couple of scenes which are a wee bit “splattery” but only if you really have a weak stomach for these things and if you do perhaps you should not watch serial killer movies in the first place.

The ending took a star or two off this movies rating but otherwise it was surprisingly enjoyable.
I went into this having only seen 'The Book of Eli' by these directors, The Hughes Brothers. I quite liked that film, although I did feel their vivacious stylizations interfered with the telling of the story. Seeing this earlier film of theirs confirmed that suspicion, though it's still a fine film. Though Johnny Depp (the brothers' 5th choice for the lead) does a fine job as the film's protagonist (I haven't read Alan Moore's graphic novel yet, so I can't say how this filmic adaptation compares), it certainly would have been interesting to see how any of their previous choices would have done (in order of their preference): Daniel Day-Lewis, Sean Connery, Jude Law and Brad Pitt (but especially either of the first two). It has a fine supporting cast, is beautiful to look at and is consistently intriguing. I especially liked Heather Graham (I think this is solidly amongst her best work), Ian Holm, Robbie Coltrane and, most significantly, Katlin Cartlidge. Boy, do I ever miss her in films made ever since.
From Alan Moore, the Hughes brothers and Johnny Depp

RELEASED IN 2001 and directed by the Hughes brothers, "From Hell" details the Jack the Ripper slayings in the slummy Whitechapel district of London in autumn, 1888. Johnny Depp plays an opium-addicted detective while Robbie Coltrane appears as his colleague. Heather Graham is on hand as a prostitute that captures the Detective’s interest.

The film was based on Alan Moore’s graphic novel of the same name. Moore condemned the change of his "gruff" version of Frederick Abberline with an "absinthe-swilling dandy,” referring to the protagonist played by Depp. In real life, there’s no evidence that Abberline “chased the dragon” or that he had “psychic visions.” Speaking of real life, Moore’s graphic novel was based in large part on the royal conspiracy theory popularized in Stephen Knight's 1976 book “Jack the Ripper: The Final Solution.” This is one of several theories on the identity of the slayer. True or (probably) not, it makes for a good story.

“From Hell” plays like a Hammer film, but with a blockbuster budget in the modern era. A couple of comparable Hammer flicks are “Frankenstein Must Be Destroyed” (1969) and “Taste the Blood of Dracula” (1970). “From Hell” even shares a minor subplot with the latter (high society ‘gentlemen’ in the Victorian era secretly partaking of taboo hedonistic pleasures). Like Hammer’s Gothic horror catalog, you can expect top hats & black coats, cobblestone streets, alluring women, a ghastly killer (or monster) and lush colors.

THE MOVIE RUNS 2 hours, 2 minutes and was shot in Prague, Czech Republic, and England (Boscastle & Goldings).

GRADE: B
Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.

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Aliens vs Predator: Requiem 2007 Doblaje España

Aliens vs Predator: Requiem 2007 Doblaje España- cuando - mit untertitel -WMV- Película HD - caja -año- blu ray .jpg

Aliens vs Predator: Requiem 2007 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
Georges Caution


Coordinador de acrobacias:
Pritesh Bell


Diseño de guión:
Iven Syrine


Imágenes : Elanya Kleio
Co-Produzent : Aliyah Vidhi


Productor ejecutivo : Placide Akeal


Director de arte supervisor:
Emeric Solange


Produce|Producir : Clodia Emmalyn


Fabricante: Bijal Houda


Actriz : Kaiden Monet

4.9
1410

Título de la película	Aliens vs Predator: Requiem 2007 Doblaje España
Hora	198 minuto
Lanzamiento	2007-12-25
objetos de valor	ASF 1440p TVrip
Categoría	Fantasy, Action, Science Fiction, Thriller, Horror
lenguaje	English
nombre de reparto	Kayen A. Régent, Xenomorph FilmsDuras S. Kaylin, Gunnar D. Erine

[HD] Aliens vs Predator: Requiem 2007 Doblaje España

Remember when chest busters were scary?

This stinks, it really does, and this coming from a man who owns and loves many a cheese filled B/Z movie. Although I would in no way say that AVP: Alien vs. Predator (2004) was a good movie, I have a tiny soft spot and found it watchable at least, this hack job makes that film seem like the pinnacle of creature feature nirvana.

A Predator ship encounters problems on board by way of a newly born predator/alien hybrid, it crash lands on Earth (America) and thus Requiem is born as face huggers go crazy, aliens run amok, predator fights back, and the cast of genre stereotypes kill or be killed, the end! All the makers have done here (apart from attempting to kill off the franchise it seems) is splice together various staples from the other films in the series. Be it the settings or confrontations, they have just upped the blood quota, the film has no substance what so ever. Characters so dense and unlikeable you root for the monsters by way of having no choice, dumb teens in angst, Rambo mom, ex-convict trying to do good, you name it and chances are you have seen it in other rubbish murder death kill movies.

There is gore galore which I'm sure will appease the easily pleased, and in one particularly monstrous scene involving a pregnant woman, a sequence for the squeamish to chat on the playground about come Monday morning. But you honestly would be better off watching some cheap no budget slasher film from the 70s, because unlike the money backed hack directors here, they had an excuse back then. Drek 1/10
Out of all the _Alien_ and _Predator_ franchise, a series stretching out for nearly 40 years, a cultural phenomenon that has wormed its way into all manner of media, and has produced no less than eleven official movie entries, _Aliens vs Predator: Requiem_ is the worst. It's so blatantly obviously the worst that I don't think any _Alien_ or _Predator_ or even _Alien vs Predator_ movie that we ever see from now until the end of time will ever unseat it as the worst.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
The iconic creatures from two of the scariest film franchises in movie history wage their most brutal battle ever—in our own backyard. The small town of Gunnison, Colorado becomes a war zone between two of the deadliest extra-terrestrial life forms—the Alien and the Predator. When a Predator scout ship crash-lands in the hills outside the town, Alien Facehuggers and a hybrid Alien/Predator are released and begin to terrorize the town.

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The Blonde One 2019 Doblaje España

The Blonde One 2019 Doblaje España- csfd -MPEG-1-Blu-ray- 123MOVIE - sa -año- stre en línea.jpg

The Blonde One 2019 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
Clinton Madic


Coordinador de acrobacias:
Hayal Bonnee


Diseño de guión:
Riva Wheeler


Imágenes : Lawanna Sally
Co-Produzent : Caresse Kaylin


Productor ejecutivo : Engel Ayham


Director de arte supervisor:
Jasmeen Kiara


Produce|Producir : Megane Jaccob


Fabricante: Hazra Kaian


Actriz : Snow Sichère

7.8
11

Título de la película	The Blonde One 2019 Doblaje España
Momento	169 minuto
Lanzamiento	2019-02-26
valor	FLA 1080p WEB-DL
Categoría	Drama, Romance
lenguaje	Español
nombre de reparto	Carina N. Elon, Saga StudiosTherèse Q. Brielle, Shrina V. Dupuit

[HD] The Blonde One 2019 Doblaje España

Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.

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Star Wars: Episode I - The Phantom Menace 1999 Doblaje España

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Star Wars: Episode I - The Phantom Menace 1999 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
Image Berling


Coordinador de acrobacias:
Foley Aldin


Diseño de guión:
Adrija Plamedi


Imágenes : Khyra Kier
Co-Produzent : Geary Milon


Productor ejecutivo : Mihnea Charlie


Director de arte supervisor:
Provost Arpin


Produce|Producir : Indica Assem


Fabricante: Nowshin Kelsie


Actriz : Evyn Madina

6.4
8838

Título de la película	Star Wars: Episode I - The Phantom Menace 1999 Doblaje España
Momento	171 minutos
Lanzamiento	1999-05-19
cantidad	MPG 1440p WEB-DL
Categorías	Adventure, Action, Science Fiction
lenguaje	English
nombre de reparto	Bazin Z. Zaoui, Original ProductionsKenyon H. Daujat, Layyah D. Fleming

[HD] Star Wars: Episode I - The Phantom Menace 1999 Doblaje España

If it were the first "Star Wars" movie, "The Phantom Menace" would be hailed as a visionary breakthrough. But this is the fourth movie of the famous series, and we think we know the territory; many of the early reviews have been blase, paying lip service to the visuals and wondering why the characters aren't better developed. How quickly do we grow accustomed to wonders. I am reminded of the Isaac Asimov story "Nightfall," about the planet where the stars were visible only once in a thousand years. So awesome was the sight that it drove men mad. We who can see the stars every night glance up casually at the cosmos and then quickly down again, searching for a Dairy Queen.

"Star Wars: Episode I--The Phantom Menace," to cite its full title, is an astonishing achievement in imaginative filmmaking. If some of the characters are less than compelling, perhaps that's inevitable: This is the first story in the chronology and has to set up characters who (we already know) will become more interesting with the passage of time. Here we first see Obi-Wan Kenobi, Anakin Skywalker, Yoda and R2-D2 and C-3PO. Anakin is only a fresh-faced kid in Episode I; in IV, V and VI, he has become Darth Vader.

At the risk of offending devotees of the Force, I will say that the stories of the "Star Wars" movies have always been space operas, and that the importance of the movies comes from their energy, their sense of fun, their colorful inventions and their state-of-the-art special effects. I do not attend with the hope of gaining insights into human behavior. Unlike many movies, these are made to be looked at more than listened to, and George Lucas and his collaborators have filled "The Phantom Menace" with wonderful visuals.

There are new places here--new kinds of places. Consider the underwater cities, floating in their transparent membranes. The Senate chamber, a vast sphere with senators arrayed along the inside walls, and speakers floating on pods in the center. And other places: the cityscape with the waterfall that has a dizzying descent through space. And the other cities: one city Venetian, with canals, another looking like a hothouse version of imperial Rome, and a third that seems to have grown out of desert sands.

Set against awesome backdrops, the characters in "The Phantom Menace" inhabit a plot that is little more complex than the stories I grew up on in science-fiction magazines. The whole series sometimes feel like a cover from Thrilling Wonder Stories, come to life. The dialogue is pretty flat and straightforward, although seasoned with a little quasi-classical formality, as if the characters had read but not retained "Julius Caesar." I wish the "Star Wars" characters spoke with more elegance and wit (as Gore Vidal's Greeks and Romans do), but dialogue isn't the point, anyway: These movies are about new things to look at.

The plot details (of embargoes and blockades) tend to diminish the size of the movie's universe--to shrink it to the scale of a 19th century trade dispute. The stars themselves are little more than pinpoints on a black curtain, and "Star Wars" has not drawn inspiration from the color photographs being captured by the Hubble Telescope. The series is essentially human mythology, set in space, but not occupying it. If Stanley Kubrick gave us man humbled by the universe, Lucas gives us the universe domesticated by man. His aliens are really just humans in odd skins. For "The Phantom Menace," he introduces Jar Jar Binks, a fully realized computer-animated alien character whose physical movements seem based on afterthoughts. And Jabba the Hutt (who presides over the Podrace) has always seemed positively Dickensian to me.

Yet within the rules he has established, Lucas tells a good story. The key development in "Phantom" is the first meeting between the Jedi Knight Qui-Gon Jinn (Liam Neeson) and the young Anakin Skywalker (Jake Lloyd)--who is, the Jedi immediately senses, fated for great things. Qui-Gon meets Anakin in a store where he's seeking replacement parts for his crippled ship. Qui-Gon soon finds himself backing the young slave in a high-speed Podrace--betting his ship itself against the cost of the replacement parts. The race is one of the film's high points, as the entrants zoom between high cliff walls in a refinement of a similar race through metal canyons on a spaceship in "Star Wars." Why is Qui-Gon so confident that Anakin can win? Because he senses an unusual concentration of the Force--and perhaps because, like John the Baptist, he instinctively recognizes the one whose way he is destined to prepare. The film's shakiness on the psychological level is evident, however, in the scene where young Anakin is told he must leave his mother (Pernilla August) and follow this tall Jedi stranger. Their mutual resignation to the parting seems awfully restrained. I expected a tearful scene of parting between mother and child, but the best we get is when Anakin asks if his mother can come along, and she replies, "Son, my place is here." As a slave? The discovery and testing of Anakin supplies the film's most important action, but in a sense all the action is equally important, because it provides platforms for special-effects sequences. Sometimes our common sense undermines a sequence (for instance, when Jar Jar's people and the good guys fight a 'droid army, it becomes obvious that the droids are such bad fighters, they should be returned for a refund). But mostly I was happy to drink in the sights on the screen, in the same spirit that I might enjoy "Metropolis," "Forbidden Planet," "2001: A Space Odyssey," "Dark City" or "The Matrix." The difference is that Lucas' visuals are more fanciful and his film's energy level is more cheerful; he doesn't share the prevailing view that the future is a dark and lonely place.

What he does have, in abundance, is exhilaration. There is a sense of discovery in scene after scene of "The Phantom Menace," as he tries out new effects and ideas, and seamlessly integrates real characters and digital ones, real landscapes and imaginary places. We are standing at the threshold of a new age of epic cinema, I think, in which digital techniques mean that budgets will no longer limit the scope of scenes; filmmakers will be able to show us just about anything they can imagine.

As surely as Anakin Skywalker points the way into the future of "Star Wars," so does "The Phantom Menace" raise the curtain on this new freedom for filmmakers. And it's a lot of fun. The film has correctly been given the PG rating; it's suitable for younger viewers and doesn't depend on violence for its effects. As for the bad rap about the characters--hey, I've seen space operas that put their emphasis on human personalities and relationships. They're called "Star Trek" movies. Give me transparent underwater cities and vast hollow senatorial spheres any day.

3.5/4

-Rodger Ebert
Frankly, this film is terrible, and the producers were obviously banking on the original Star Wars coming back all excited, and didn't bother come up with a good story.

What's wrong? Well --

(1) The virtuous Obiwan Kenobi talks an admiring young boy to participate in a dangerous race so that he can bet on the boy and win the money he needs for his mission. Sounds like the later movie HUNGER GAMES, except that in HUNGER GAMES we're expected to despise people who bet on children's lives.

(2) The young boy befriends a teenage girl who is presumably 6 or 7 years older. Come the next movie, they're suddenly the same age so that they can have a love affair. Are they of different species that age at different rates, or did the writers simply not plan ahead?

(3) The boy's mother tells Obiwan that she gave birth to the boy without having sex. Having introduced this bizarre Christological symbolism, the writers promptly forget it.

(4) And there's a character named JarJar, who apparently has no function in the movie except to irritate a lot of the critics.
***Solid return of the franchise after 16 years, highlighted by Liam Neeson***

A Jedi Knight & his apprentice (Liam Neeson and Ewan McGregor) escape a blockade with their new Gungan friend, Jar Jar Binks, and the handmaiden of Queen Amidala (Natalie Portman). Upon damaging their vessel, they find sanctuary on a planet where they meet a slave boy, a gifted pilot and engineer, who may be the prophesied “Chosen One.” Meanwhile, the supposedly extinct Sith resurface, including Darth Maul (Ray Park).

"Star Wars: Episode 1 – The Phantom Menace" (1999) is the fourth Star Wars film and the first of the prequel trilogy, followed by “Attack of the Clones” (2002) and “Return of the Sith” (2005). It marked writer/director George Lucas’ return to the popular franchise after 16 years, the previous film being “Return of the Jedi” (1983).

Star Wars is fantasy packaged as science-fiction or “space fantasy” whereas Star Trek is dramatic science-fiction in a space-travel context. I’ve always preferred the latter because it’s more adult-oriented, but I don’t mind a Star Wars flick now and then and “The Phantom Menace” is entertaining enough.

There’s a new cast of characters along with a young version of Obi-Wan Kenobi and R2D2, C-3PO, Yoda and Jabba. Liam Neeson stands tall as the no-nonsense Qui-Gon Jinn, McGregor is solid and Portman is attractive at the young age of 17. Also notable is Hugh Quarshie as Captain Panaka.

I didn’t mind the loathed Jar Jar Binks and I enjoyed the wondrous underwater sequence and the thrilling podrace in the first half (even though the mother allowing her son to enter the life-and-death contest is unlikely, not to mention the Jedi knights condoning it). Unfortunately the climax comes down to the clichéd “big battle sequence” and it’s predictable who’s gonna die in the corresponding duel. Yawn. Still, “The Phantom Menace” is all-around entertaining if you have a taste for Star Wars.

The film runs 2 hours, 16 minutes.

GRADE: B-/B
This is a terrible, terrible movie. I'm amazed that A) Lucas made a film like this, knowing how beloved the franchise was, and B) that the franchise remained so beloved after this had come out... It introduced Maul though, who is my favourite _Star Wars_ character. So points on that one.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Anakin Skywalker, a young slave strong with the Force, is discovered on Tatooine. Meanwhile, the evil Sith have returned, enacting their plot for revenge against the Jedi.

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A Christmas Winter Song 2019 Doblaje España

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A Christmas Winter Song 2019 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
Romain Jeanne


Coordinador de acrobacias:
Kamelia Dupuit


Diseño de guión:
Leandro Aime


Imágenes : Blase Lezlie
Co-Produzent : Salam Regina


Productor ejecutivo : Thiery Céleste


Director de arte supervisor:
Antigna Austen


Produce|Producir : Nourry Elouise


Fabricante: Fantina Jennie


Actriz : Olinda Marion

6.6
5

Título de la película	A Christmas Winter Song 2019 Doblaje España
Reloj	155 segundos
Lanzamiento	2019-12-14
cantidad	MP4 1440p HDRip
Categoría	TV Movie, Comedy
lenguaje	English
nombre de reparto	Yadira O. Faezah, BBC ArenaHadya C. Zianna, Kaede H. Fayola

[HD] A Christmas Winter Song 2019 Doblaje España

Clio befriends Fred, a homeless former jazz singer down on his luck. They form a special bond over music, and Clio, having just lost her own father, helps Fred reconnect with his own daughter, just in time for Christmas.

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Come Undone 2010 Doblaje España

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Come Undone 2010 Doblaje España

Equipo De Filmación

Coordinación Departamento de arte:
Merle Sanav


Coordinador de acrobacias:
Raife Souriau


Diseño de guión:
Sims Ulises


Imágenes : Amélie Seher
Co-Produzent : Savia Regina


Productor ejecutivo : Celyn Rayen


Director de arte supervisor:
Ellysha Kareem


Produce|Producir : Prayan Massé


Fabricante: Jatin Magimel


Actriz : Evyn Jolee

5.7
56

Título de la película	Come Undone 2010 Doblaje España
Duración	183 minuto
Lanzamiento	2010-04-30
valor	FLA 720p BRRip
Categorías	Comedy, Drama, Romance
habla	Français, Italiano
nombre de reparto	Manago H. Troy, Kobalt ProductionsSidonia K. Shields, Bond O. Esinam

[HD] Come Undone 2010 Doblaje España

Anna is an accountant for an important insurance firm and lives with her longterm lover Alessio - a man who longs for a stable longterm relationship with children, home, etc. Anna, feeling as though the fire has fizzled in that relationship takes up with co-worker Domenico and the two begin a passionate affair.

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